Composing image in the 16mm camera for a 35mm blowup

The aspect ratio of a picture frame is the relationship between its width and height. The ratio of the standard 16mm and 35mm frame is 1.33:1. Reducing the height of the picture while maintaining the width will increase its aspect ratio. This is done in 35mm projection by using a mask to crop equally the top and bottom of the picture frame.
35mm prints are projected at a 1.85:1 aspect ratio in the United States and at 1.66:1 in Europe.
On TV, the picture is viewed at a 1.33:1 aspect ratio.
When shooting a 16mm film for 35mm blowup, the camera person should compose the subject being photographed for wide screen projection.
A properly composed 16mm negative can be blown up to the standard 35mm aperture size (style A, PH22.195-1977 ANSI). This negative produces a 35mm print with a picture in a 1.33:1 aspect ratio. This print can be used for television and projected theatrically in the United States and Europe with the appropriate mask. The aspect ratio of the projection mask and the framing position of the 35mm projector determines what part of the frame will be screened. The standard Academy leader is used by the projectionist to center the picture in the aperture of the projector.
If equal cropping of the top and the bottom of the picture eliminates important picture information, vertical scanning is used to crop the 16mm frame higher or lower for proper placement in the 1.85:1 or 1.66:1 projection frame.
At Western Cine, scanning can not be done during the blow-up procedure and would require optional, isolated treatment. Scanned negatives would require a fixed 1.85:1 or 1.66:1 frame line to guide the projectionist in framing the print properly. 35mm prints made from a 1.85:1 or a 1.66:1 ‘fixed’ frame line negative cannot be used for television unless the image is enlarged in the telecine chain when transferring to videotape.

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